![]() The news also put Mark Canton, who was in charge of Columbia at the time, on the defensive. Just before Carrey became the first member of the $20 million club, Bruce Willis received $16.5 million for “Last Man Standing,” Arnold Schwarzenegger nabbed north of $17 million for “Eraser,” and Sylvester Stallone picked up $17.5 million for “Daylight.” But this was something else entirely, a move so seismic that as Variety wrote, it sent “heads spinning and tongues wagging.” The Jstory that accompanied the news of the comic’s windfall carried with it a headline that summed up the sense of shock overtaking the industry’s higher-ups, “H’wood Finds $20 Million Tab for Carrey Plain Scary.” “The Cable Guy” was released 25 years ago this Monday, and is now primarily appreciated as a minor cult classic, if it is remembered at all, but the impact of Carrey’s financial bonanza can still be felt today.įor years, Hollywood executives had been able to hold the line for actor deals at $15 million, but cracks were starting to form in their united front. But no one was predicting the financial windfall Carrey was about to enjoy when he signed on to play a psychotic cable installer in the black comedy “ The Cable Guy.” The actor received an astounding $20 million from Columbia Pictures, as well as a 15% backend (meaning his cut of the box office profits). So it made sense that when it came to compensation, Carrey would soon be among the top ranks of A-listers, right up there with Arnold and Harrison and Sly.
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